MetronoTuner
Guitar Standard
en

Install it as an app

It opens full screen, like an app, and works offline.

  1. Tap Share in the browser bar.
  2. Scroll down and tap “Add to Home Screen” .
  3. Tap “Add”. The icon shows up on your home screen.

Second voice in sixths in F sharp major

In F sharp major, a second voice in sixths sings, below each note of the scale, the note of the key two steps higher, an octave lower: F♯–A♯, G♯–B, A♯–C♯, B–D♯, C♯–E♯, D♯–F♯, E♯–G♯. The sixth is major below G♯, A♯, D♯, and E♯ and minor below F♯, B, and C♯.

The F sharp major scale with the second voice

Each row is a degree of the F sharp major scale: the melody note, the second-voice note and the interval between them.

Degree 1st voice (melody) 2nd voice: sixth below Interval
I F♯ A♯ minor sixth
II G♯ B major sixth
III A♯ C♯ major sixth
IV B D♯ minor sixth
V C♯ E♯ minor sixth
VI D♯ F♯ major sixth
VII E♯ G♯ major sixth

On the staff

The F sharp major scale going up, with the second voice on the lower staff. The numbers between the staves are the intervals (3 = third, 6 = sixth).

Staff with the F sharp major scale and the second voice1st voice442nd voice4466666666

Hear it and practise in F sharp major

The tool below opens with Ode an die Freude (Sinfonie Nr. 9), transposed from G major to F sharp major, and the second voice in this style. Change the melody, the style and the key whenever you like.

1. The melody

Melody only: no lyrics.

Tempo
90 BPM

2. The second voice

Style

Transpose · Range of whoever sings the 1st voice · Chords
Transpose

E.g. C | G7 | C F | G C. In the choir style, the 2nd voice prefers chord notes on the strong beats.

3. See

The numbers between the staves are the intervals (3 = third, 6 = sixth, 8 = octave). Tap a note in the 1st voice to fix it.

4. Listen

Tempo
90 BPM

5. Practise

The app plays one voice and you sing or play the other. Each note lights up green (right), yellow (close) or red. Nothing of your voice is recorded: only the score stays on the device.

I take

Listening

Strictness

The sixth below is the third above moved down an octave. In F sharp major, a second voice in sixths uses the same notes as a second voice in thirds, only lower: from F♯, count two notes up (A♯) and drop an octave.

Inverting turns a major third into a minor sixth (8 semitones) and a minor third into a major sixth (9 semitones): together they add up to 12 semitones, an octave. In F sharp major, the sixths below are major on degrees II, III, VI, and VII and minor on degrees I, IV, and V.

The sixth below is the second voice for whoever sings lower than the melody, and the natural way out when the third above climbs too high. The voices sit further apart than in thirds.

Other second voices in F sharp major

In other keys

Frequently asked questions

What is the second voice in sixths in F sharp major?

Degree by degree, the sixth below each note of the F sharp major scale: F♯–A♯, G♯–B, A♯–C♯, B–D♯, C♯–E♯, D♯–F♯, E♯–G♯. They are the notes of the second voice in thirds above, an octave lower.

Which sixths in F sharp major are major and which are minor?

The sixth below is major (9 semitones) below G♯, A♯, D♯, and E♯ and minor (8 semitones) below F♯, B, and C♯.

What is the difference between the sixth below and the third above?

The notes are the same; only the octave changes. The third above sits close to the melody, the sixth below further away and lower. Inverting turns a major third into a minor sixth, and a minor third into a major sixth.